Given how sporadically we've been publishing anything -- artwork that some genuinely talented person created, a music video from decades past, critical commentary passed off as "writing" -- we still won't apologize.
That would be arrogant. For beneath any plea, no matter how sincere, is the expectation that readers were out there, waiting for The Typing Monkey to do something.
Instead, let's play catch up over the next few weeks and aim for a productive summer. [Somewhere, a retired junior high school band teacher mumbles "don't apologize, fix it." -- ed.]
To begin, take some time to read Oliver Sava's April 11 piece on comic-book colorists from the AV Club's "Big Issues" series. Sava writes intelligently about comic books, especially the superhero titles. And when he uses Big Issues to talk about the work behind the titles, it can be thoughtful and educational -- all the things good critical writing should be.
Colorists have been ignored, historically. Despite a good colorist being able to lift already good artwork to a higher level, the colorist's name rarely appears on the front cover. But that's been changing and Sava uses that change to talk about what a good colorist does, and why you, comic book reader, should care.
It also lead us to the blog of colorist Jordie Bellaire, who posts breakdowns of her work and is quite good at selecting images that illuminate the value of skills like hers. She's good, and she knows working with good artists makes them both look better.