Thursday, November 27, 2014

Into the Drink

Need a new holiday tradition? Of course you don't. So do this instead:

Get your hands on two science fiction films from the 1950s, specifically, Creature from the Black Lagoon and Monster on the Campus. Then get your hands on a few of your favorite alcoholic beverages. Don't drink yet!

First a few words about these films.

Creature and Monster are united by their director, Jack Arnold. But they're two very different movies. 

Much like watching James Whale's Frankenstein, any reasonable viewer will root for the monster in Creature. The story concerns a crew of scientific researchers who find evidence of a missing link-type beast, an amphibious humanoid swimming the waters of the Amazon River. The men decide they need to bring the creature -- popularly referred to as the Gillman -- back to civilization for further research.

Naturally, Gillman does everything he can to avoid being kidnapped. Trouble is, Gillman can't stop oggling Julie Adams, the token damsel who enjoys leisurely swims in the Amazon.

About those swims: The underwater photography in Creature is just lovely. Arnold and cinematographer William E. Snyder use the swimming sequences like tension-filled ballets. Creature is fun on it's own, but it's also fun to look at.

Monster on the Campus packs a big mess of fun too, though it's hard to imagine, once you've seen it, that the same man directed this and Creature. The plot of Monster is simple: A scientist studying a coelacanth, the primitive fish long thought to be extinct, cuts his hand on the beast's fangs. Yadda, yadda, yadda, he transforms into an equally primitive primate and proceeds to terrorize various co-eds.

Modern sensibilities may cause us to giggle at Gillman's appearance. But the brute running around in Monster prompts guffaws. He's a sloppy blend of werewolf and Neaderthal. And that's cool. Monster on the Campus never reaches beyond it's B status. Audiences surely laughed when it raged across drive-in screens in 1958.

Now you have the movies and know a little bit about them, what to do with that booze? Reader, you are in for a treat as we instruct you in the ways of Jack Arnold's Double Feature Monster Creature Drinking Game. [caps ours]

Gather some friends and the liquor. Watch Creature first, because it's worth your (mostly sober) attention. Every time Gillman appears and that terrifying blast of trumpets plays, take a drink. When the scientist throws his cigarette into the Amazon, do a shot. Did Julie Adams just scream? Drink. Has she fainted in the grip of Gillman? Shot.

By the time the credits roll, your team will be properly lubricated to take on Monster on the Campus. No rules at this point, just make sure there are some snacks too and craft your own commentary as you go, or maybe try to remember how to spell coelacanth.


Though Creature from the Black Lagoon was released in 1954, the appearance and design of Gillman has become iconic enough that he's often referenced in popular culture as if he were part of the roster of classic Universal Monsters of the 1930s and early '40s. 

How iconic? He was painted by the amazing Basil Gogos: